The Free Transform command is going to be your go-to tool for resizing, rotating, and modifying your graphics. This Photoshop tutorial will show you just how handy Free Transform is in your image editing workflow. Maybe you want to remove the background from a photo, or select just a certain object in an image and use it in another Photoshop document.
Whatever the case, selecting things inside your canvas is a task you should expect to do plenty of times in your 'shopping career. Set aside 30 minutes, follow this Photoshop tutorial, and you'll know all there is to know about the assorted tools and techniques for selecting areas in your work. If you'd like to speed up your workflow and extend Photoshop, it's best to understand how to manage presets. This tutorial specifically covers installing and managing Photoshop brushes, but will also get you started into exploring various other presets such as patterns, custom shapes, and so forth.
Do you find yourself repeating certain tasks in Photoshop over and over again? Maybe you're constantly resizing your images manually to a certain width and then saving them as a JPEG for use on your blog. Or maybe you've unearthed the perfect combination and sequence of filters and layer styles, and would like a way to automatically apply it to a batch of images. Check out Photoshop actions, a feature that enables you to record and save a sequence of actions. In this 6-part tutorial, you will learn about the built-in Photoshop actions as well as how to record and save an action.
These 12 tutorials will have you on your way to Photoshop mastery.
Photoshop CS3 features and tour - PhotoshopCAFE
If you've had success with other tutorials not on this list, let us know about them in the comments below. Image courtesy of iStockphoto , izusek. We're using cookies to improve your experience. Click Here to find out more. Entertainment Like Follow Follow.
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If you have tips for aspiring Photoshoppers, share them in the comments below. Getting Started with Photoshop This tutorial on SitePoint, a popular site for web professionals, will guide you through the Photoshop fundamentals and the basic tools available at your disposal. Photoshop's Toolbox If you're just starting out with Photoshop, you will no doubt be spending plenty of your time using the Tools panel, which contains various tools for working with type, painting, drawing, moving objects, and so forth. Photoshop For Beginners: The Power of Layers The most important concept you should understand about Photoshop is its layering system.
Photoshop's Filters In photography, filters are camera accessories that you place on your lens to capture photos that will have fascinating effects. By reading through this tutorial, you will uncover the power of filters in Photoshop. Layer Styles in Photoshop Layer styles are one or more effects that alter a layer. Photoshop — Adjustment Layers Adjustment layers are Photoshop layers that affect all other layers beneath them unless you use an adjustment layer as a clipping mask — but that's an advanced topic for another day.
This crash course in adjustment layers shows you what you can do with them in Photoshop. Retouch and Healing Tools For most casual Photoshop users, the most enticing and important utility is the software's ability to correct, digitally enhance, and fix photos. A Comprehensive Introduction to the Type Tool Whether you want to add a text caption on a photograph, lay out a brochure's copy, or create your typographical poster masterpiece, the tool that will help you get the work accomplished is the humble, but powerful, Type tool.
Photoshop If all this seems too much, you can still apply and use filters in the same way you always have with standard layers. Shadow Highlight is still not an adjustment layer. Apply is as a Smart Filter and enjoy all the re-editable functionality of an adjustment layer with this popular adjustment.
Click and drag with the Quick Selection tool to see areas of your image magically selected, click on another section and like magic the selection grows to encompass this area too.
In many of the selection tools including the Quick Selection, the marquee tools and exiting the Quick Mask we can now use the refine edge to get a nice clean edge, eliminating, jaggies, halos and matted edges think of an extracted layer with a colored outline where it was removed from its background. When Vanishing Point made its debut in CS2 it was a feature that amazed the masses. Get ready to be amazed again.
This is going to be a huge hit for people wanting to mock up package designs. Speaking of amazing tools, this feature combined with the next could very well produce the most Rabbits from the hat out of any other new feature. Based on a new technology, Photoshop CS3 analyzes edges and notable features and aligns layered files to each other. This command will join the edges as seamlessly as possible, think PhotoMerge used for creating panoramas and then think again. Yes, you can create panoramas, the edges align with each other very nicely.
But there is more to it than that. Say for instance you have several photos from a group of people, or an exposure bracketed image. Place all these images onto layers in the same document and then run Auto Align. The images will warp and stretch to match each others position and shape so that you can use masks to selectively choose components from each to compose your masterpiece.
PhotoMerge is still available for those who want to automate the process. There are four Projection Methods you can choose from: Auto, Perspective, Cylindrical or Reposition only. This command will figure out the smoothest way to blend multiple images together. When the Auto-Blend command has finished, Layer masks will be created to manage the seamless integration and as such you can manually tweak the Layers if you desire.
The exposure settings will also be adjusted to that the tonality of the layers also match. Get ready to create mega pixel images from your 5 mega pixel camera! Basically a camera is limited in the amount of shadow and highlight information that it can record at the same time.
Many times, if you shoot for the shadows, the highlights are blown out as a white area. Or shoot for the highlights, perhaps out a window and the interior walls lose their detail and become a blob of black. Photographers get around this limitation by taking multiple Photographs, adjusting the exposure of the camera each time Bracketing.
All the Photos are then placed together in layers and then tedious use of layer masks allow the Photographer to reveal areas of each picture to produce an extended dynamic range. Merge to HDR, will automatically merge all the images together into a single 32 bit image that has a much wider dynamic range than traditional images.
These HDR images are used a lot by 3D artists and videographers to produce texture maps, lighting masks and more.
Photographers also make good use of these new features to create stunning Photographs with incredible clarity in the shadows and highlights. CS3 uses the auto-align technology to help keep all the photos sharp by removing the problems of mis-registration where the camera has moved slightly in one or more of the images. One of the challenges is converting HRD to 16 or 8-bit formats for printing or online display. This is done by altering the response curve during conversion time.
CS3 allows you to save your curves as presets, which will save a lot of time. Could this be the year that HDR image come to the forefront of Photography? We also have more filters available to the 32 bit color space as well as the ability to create a new 32 bit image in Photoshop CS3. For a long time now, experts have been telling you not to hit the desaturate command to convert a color image to grayscale.
If you take that quick and nasty route you will not only toss away the majority of your tones, you also lose the opportunity to mix your own grayscale conversion. You can now choose the luminosity values of each channel associated with 6 colors and create a custom grayscale mix. In English please? Adjust the sliders and create a really cool grayscale image that looks exactly how you want it to look. This is the tool you should use for most of your black and white conversions, its quick, easy and looks great.
Hit the tint button and you can create a monochrome image by applying a single color to your grayscale image. The Black and White Adjustment works as an adjustment layer. A histogram has now been added which is similar to Camera Raw in CS2. Channels overlays display the changes to each channel. Adobe has enhanced this tool to work more like the equivalent in Camera Raw, so it no longer clips the image as soon as you touch it. If you want the old behaviour which is useful for adjusting masks and creating comic type effects, click the legacy button and the adjustment will work just like it always did.
We now have the Lighter Color and Darker Color blend modes. What makes them different from the Lighter and Darker modes is that they work as composite rather than by channel. For example if you apply yellow to a red image, the threshold will be determined by the luminosity value grayscale rather than by the color value of each channel. The clone stamp tool now sports a few new options that really make it more useful.
You can now get off your knees, the clone stamp now has a preview of the sampled source. Speaking of the Source Palette, you can make samples of 5 different sources, these can be from the same document or from multiple documents. You also have options to use the current layer or include the underlying layers.
You can also choose to include or ignore adjustment layers thanks to a neat little toggle button on the options bar. From the menu in Photoshop, choose open and then select Camera Raw from the Format drop down list on the left. When it comes to adjustments there are lots of new options, Parametric curves for those who are intimidated by point curves.
This provides adjustments similar to levels from within the curves environment. We now have a ridiculous amount of control of the colors and luminosity of our images through the 8-band HSL sliders, also providing a grayscale adjustment that is unmatched. Split toning is a great way to target specific colors and add saturation to them, such as making skies bluer.
We now have more options for opening PDF files. Images can be opened individually or entire documents. You can now choose the desired size and resolution before opening the PDF inside Photoshop. The Print dialog has been overhauled and made easier to use. Photographers will herald the arrival of a color-managed preview. We are now being prodded in the direction of accurate color prints. You can change the orientation of the paper, choose different printers and select the number of prints.
A small detail that has resulted in increased ink sales and the depletion of forests. Other features such as variables have made the transition. ImageReady is now dead, it no longer ships with the Photoshop as the lack of the Jump to ImageReady dialog box tells.
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